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Streetart TV

“STRENGTH” by PEJAC in Cantabria, Spain

October 16, 2020
3 min read

Marking the historic moment in global history, a pandemic that strongly affected his homeland taking over 50,000 lives so far, Spanish artist Pejac recently created 3 interventions at University Hospital Marqués de Valdecilla in his hometown Santander. Entitled after the quality of being strong, much needed in the world we live today, and especially within the walls of a hospital complex, ‘Strength‘ is addressing 3 different aspects of the current crisis and proposes the ways we could respond to them.

“From the first moment, the hospital has been receptive and enthusiastic and that has made the project flow in a harmonious and easy way. In addition, they have given me total creative freedom and it has been a luxury to have their trust and support.”

Check out below for images of the murals Pejac created for “Strength”.

SOCIAL DISTANCING is a trompe l’oeil intervention that creates an illusion of a deep gaping crevice on a rigid surface of a cement wall. Made from countless human silhouettes that are trying to escape it, the artist wanted to represent the wound that this pandemic has left and do it as a tribute to health workers for their respect and solidarity towards the victims.

“Social Distancing”

CARESS is the second piece that poetically describes the new dynamics of the relationship between the patients and the health workers imposed by the COVID virus. While physically standing distant and only looking at each other, their shadows are depicting the need and will to return to physical contact. Pejac also added a sense of serenity and beauty by turning their shadows into a colorful and peaceful pond with water lilies, paying homage to one of his favorite painters, Monet, along the way.


OVERCOMING is the final piece from the series which was realized with on-hand help by young oncology patients. Depicting a child recreating Van Gogh’s ‘Wheat Field with Cypresses’ with his hands, the piece is somewhat a take on Pejac’s work he created in Norway in 2015, showing a boy recreating Munch’s Scream with his toy cars. In the piece, a child is propped on the wheelchair, able to paint higher than the rest. “This is something that we, as a society could do – take this crisis and use it to propel us forward,” the artist suggests.


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